Grab My Ominous Prompts II
Dark Liturgy PT.II
Sneaky Hyenas

PROMPT :
Portrait of a dark, young, thin and delicate hooded Japanese woman wearing an extremely intricate ornate skull reliquary mask, actual human skull aesthetic rendered in blackened silver with elaborate baroque filigree patterns covering every surface, eye sockets deep and hollow ringed with diamond clusters, nasal cavity a dark triangular void edged in silver scrollwork, teeth individually capped in silver with tiny diamonds set into canines, cranium decorated with engraved Latin prayers and saint iconography in silver inlay, jaw articulated with ornate silver hinges shaped like cherub wings, small glass windows in temples revealing supposed bone fragments within like medieval reliquaries, the entire mask suggesting a saint's skull elevated to precious object. Figure draped in flowing black velvet robes with subtle brocade pattern, high ecclesiastical collar framing the mask. Layered heavy silver chain necklaces of varying thickness stacked densely across chest, multiple inverted cross pendants in different sizes and ornate styles, ornate religious medallions, rosary beads woven between chains, crucifix pendants layered over one another, heavy silver Cuban link chains draped low, Saint medallions with faces scratched out, chain upon chain creating armor-like coverage of silver across the torso. Two impressive and fierce-looking black hyenas flanking the figure, coarse dark fur appearing almost pure black with faint spots visible only in direct light, muscular sloped backs built for endurance, rounded ears alert, powerful jaws slightly open showing bone-crushing teeth designed to splinter skulls, intelligent cruel eyes holding mockery of death, each wearing thick silver Cuban link chain collars with cross and skull charms. Hyenas positioned just next to the woman with unsettling laughing posture, heads tilted at disturbing angles, hackles raised, chaotic and unpredictable scavenger energy. Hands visible at bottom of frame bone-pale and delicate, wearing many elaborate silver filigree cross rings on multiple fingers, reliquary rings with tiny glass windows, delicate crystal-encrusted bracelets, silver chain bracelets wrapped multiple times around wrists. Very dark grey vignetted unified background. Dramatic chiaroscuro lighting from above, rich shadows, baroque mood. Hyper-detailed textures on fur and sacred metalwork. Shot with Sony A1 II + FE 85mm f/1.4 GM, ISO 100, f/1.4, 1/200s.
Memento Mori

PROMPT :
Portrait of a dark, young, thin and delicate hooded Japanese woman wearing an extremely intricate ornate Memento Mori death mask, smooth skull face in polished blackened silver with elaborate vanitas symbolism carved and inlaid across entire surface—tiny hourglasses etched into cheekbones filled with diamond dust, wilting roses engraved along jaw line with silver stems and blackened petals, extinguished candles carved into temples with wisps of smoke in silver thread, Latin inscription "MEMENTO MORI" across forehead in diamond-set letters, small silver moths and beetles crawling across cranium frozen in metal, eye sockets empty and absolute with silver-framed edges shaped like keyholes to the void, teeth visible in subtle eternal smile each tooth engraved with different death symbol. Figure draped in flowing black silk mourning robes with subtle skull-and-crossbones damask pattern woven into fabric, Victorian funeral aesthetic. Layered silver chain necklaces of varying thickness, inverted cross pendants, locket pendants containing hair of the dead, mourning jewelry with dark jet stones and woven hair details. Two impressive and fierce-looking black hyenas flanking the figure, coarse dark fur appearing almost pure black with faint spots visible only in direct light, muscular sloped backs built for endurance, rounded ears alert, powerful jaws slightly open showing bone-crushing teeth designed to splinter skulls, intelligent cruel eyes holding mockery of death, each wearing thick silver Cuban link chain collars with hourglass and cross charms. Hyenas positioned just next to the woman with unsettling laughing posture, heads tilted at disturbing angles, hackles raised, chaotic scavenger energy—animals that laugh at death because they feast upon it. Hands visible at bottom of frame bone-pale and delicate, wearing many elaborate silver memento mori rings on multiple fingers—tiny skulls, coffins, skeletons—delicate crystal-encrusted bracelets. Very dark grey vignetted unified background. Dramatic chiaroscuro lighting from above, rich shadows, baroque vanitas painting mood. Hyper-detailed textures on fur and mortality-obsessed metalwork. Shot with Sony A1 II + FE 85mm f/1.4 GM, ISO 100, f/1.4, 1/200s.
Black Things

PROMPT :
Portrait of a dark hooded Japanese woman wearing an extremely intricate ornate black raven skull mask decorated with diamonds and silver, elongated beak structure with delicate bone articulation, hollow eye sockets ringed with silver filigree and tiny diamond clusters, matte black metal with visible suture lines and cranial plates. Feather-like metal scales cascade down the temples. Figure draped in flowing black fabric robes with high ecclesiastical collar. Layered silver chain necklaces of varying thickness, inverted cross pendants, ornate religious medallions, rosary beads woven between chains. An impressive and fierce-looking black panther flanking the figure, sleek muscular body, intense predatory golden-green eyes catching the light, wearing thick silver Cuban link chain collar with dangling crucifix charm. Panther positioned just next to the woman in a low stalking stance, shoulder muscles tensed, head turned slightly inward toward center, possessive and territorial. Hands visible at bottom of frame wearing many elaborate silver filigree cross rings on multiple fingers, delicate crystal-encrusted bracelets, long black lacquered nails. Very dark grey vignetted unified background with subtle smoke wisps. Dramatic chiaroscuro lighting from above, rich shadows, baroque mood. Hyper-detailed textures on fur and metal. Shot with Sony A1 II + FE 85mm f/1.4 GM, ISO 100, f/1.4, 1/200s.
Fierce Taurus

PROMPT :
Portrait of a dark hooded Japanese woman wearing an extremely intricate black executioner hood-mask hybrid with silver chainmail mesh covering face leaving only dark eye slits visible, topped with a massive radiant halo constructed of blackened silver blades arranged like sunrays, each blade tip adorned with diamonds that catch light like frozen fire, the halo creating shadow patterns across the composition, silver thorned circlet where halo meets hood. Figure draped in flowing black ceremonial robes with silver thread embroidery depicting scenes of judgment and punishment. Layered silver chain necklaces of varying thickness, inverted cross pendants, ornate religious medallions, executioner's key pendant. An impressive and fierce-looking black bull flanking the figure, massive muscular frame, horns wrapped in silver wire with cross charms dangling from tips, short black coat with silver nose ring connected by chain to the woman's belt, flared nostrils with visible breath, menacing very dark eyes reflecting nothing, hoof pawing ground. Bull positioned just next to the woman, head lowered with contained explosive power, chain taut with tension. Hands visible at bottom of frame wearing many elaborate silver filigree cross rings on multiple fingers, delicate crystal-encrusted bracelets, one hand resting on the chain, the other holding silver ceremonial blade pointed downward. Very dark grey vignetted unified background. Dramatic chiaroscuro lighting from above, rich shadows, baroque mood with Spanish Inquisition darkness. Hyper-detailed textures on hide, chainmail, and bladed metalwork. Shot with Sony A1 II + FE 85mm f/1.4 GM, ISO 100, f/1.4, 1/200s.
Papal Crown


PROMPT :
Portrait of a dark, young, thin and delicate hooded Japanese woman wearing an extremely intricate ornate Papal death helmet, towering structure shaped like a corrupted Pope's mitre rendered as a skull cage—tall pointed crown constructed of black metal lattice revealing absolute darkness within, the lattice pattern formed by interlocking inverted crosses and bones, front face plate a stylized skull with hollow eyes and silver-lined teeth, triple-tiered papal crown structure rising upward each tier more skeletal than the last, silver keys of Saint Peter hanging inverted from the sides on chains, elaborate silver filigree trim along every edge encrusted with black diamonds, small silver bells hanging silent from the peak. Figure draped in flowing black vestment robes suggesting corrupted papal regalia, heavy fabric with subtle ecclesiastical embroidery in black-on-black thread, broad shoulders from layered ceremonial dress. Layered silver chain necklaces of varying thickness, inverted papal cross pendant, Fisherman's Ring corrupted with skull motif, heavy chain of office draped across chest with medallions depicting saints in torment. Two impressive and fierce-looking black hyenas flanking the figure, coarse dark fur appearing almost pure black with faint spots visible only in direct light, muscular sloped backs built for endurance, rounded ears alert, powerful jaws slightly open showing bone-crushing teeth designed to splinter skulls, intelligent cruel eyes holding mockery of all authority, each wearing thick silver Cuban link chain collars with inverted papal cross and key charms. Hyenas positioned just next to the woman with unsettling laughing posture, heads tilted at disturbing angles, hackles raised, chaotic unpredictable energy—beasts that would devour even holy men. Hands visible at bottom of frame bone-pale and delicate, wearing many elaborate silver rings on multiple fingers including corrupted bishop's rings with black stones, Papal signet rings with skull modifications, delicate crystal-encrusted bracelets. Very dark grey vignetted unified background. Dramatic chiaroscuro lighting from above, rich shadows, baroque mood of church corruption and sacred horror. Hyper-detailed textures on fur and blasphemous ecclesiastical metalwork. Shot with Sony A1 II + FE 85mm f/1.4 GM, ISO 100, f/1.4, 1/200s.
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