Low Intensity Absurd Hyper-Realistic Scenery

8 Prompts - 4 Mind-boggling scenes

Napalm & Nightgowns

Image Prompt :

Nighttime absurd-realism editorial photograph. Luxury indifference against military destruction — surreal but grounded, impossibly calm.

Scene: A snow-covered open outdoor setting at night. A full luxury water bed directly on the snowy ground. Behind it, several missile launchers set in flame, fire and smoke billowing, debris and snow kicked up around. The destruction is active but the foreground is still — two realities coexisting without logic.

Subject & Wardrobe: A beautiful young Thai woman with long straight black hair, lay casually on the bed. She wears a black leather bralette and matching black leather shorts or briefs, draped in an oversized white fur coat falling open off her shoulders. She has long black polished nails, expression half-lidded, editorial, completely unbothered. No reaction to the chaos behind her. Her pose is languid, confident, and deliberately provocative — as if this is just another evening.

Environment & Atmosphere: Night setting, snow on the ground everywhere. The burning battery of missile launchers provides warm orange and amber backlighting through smoke and haze. The contrast between the cold blue snow tones and the warm fire creates a cinematic push-pull. Snow particles visible in the air. No crowd, no soldiers, no emergency response — just silence and absurdity.

Realism & Texture: Fur coat texture is coarse and detailed with natural volume. Leather shows grain and subtle sheen. Skin texture is natural — no retouching, visible pores. Water bed feels realistic. Snow has realistic depth and compression where the table legs press into the ground.

Camera & Grading: Hyper-real nighttime editorial photograph. Dominant light source is the burning battery of missile launchers behind — warm fire tones illuminating the scene from the back and side. Fill light is ambient cold moonlight or snow bounce. Rich contrast between warm oranges and cold blue-greys. Slightly desaturated skin tones, lifted shadows, visible film grain throughout. Low-angle to eye-level framing, medium shot. Documentary-style realism with editorial composition.

Avoid: No face distortion, no extra fingers, no warped hands, no melted anatomy, no plastic skin, no airbrushed skin, no CGI look, no painterly style, no cartoon effect, no surreal scaling errors, no duplicated subjects, no text, no watermark, no logos.

Animation Prompt :

A cinematic static medium shot that transitions into a slow, orbital pan , capturing a young Asian woman reclining in an absurd, contemplative pose upon a glowing mattress in the middle of a frozen, snow-covered battlefield. In the background, heavy military missile launchers are engulfed in towering, hyper-detailed flames and thick orange smoke that billows softly into the dark, moody twilight sky. The contrast is stark: the serene, fashion-forward subject wears a luxurious white faux-fur coat and black leather attire, her expression indifferent to the chaotic, fiery destruction behind her. Tiny embers and snowflakes drift through the air in slow motion, catching the dual light of the flickering fire and the ethereal white glow emanating from beneath the bed. The scene blends the haunting, staged suburban surrealism of Gregory Crewdson with the high-fashion, satirical hyperrealism of David LaChapelle. The camera maintains a sharp focus on the textures of the fur and the woman’s skin, while the background fire remains a beautifully blurred, bokeh-filled source of warm light. This scene is captured with a Sony A1 II and a Sony FE 24-70mm f/2.8 GM II lens, using settings of ISO 400, f/2.8, and a 1/250s shutter speed to preserve the crispness of the drifting snow against the low-light environment

Ferrari Flutes & Foreclosures

Image Prompt :

A hyper-realistic, faded, grainy fashion editorial image where luxury, calm, and absurd elegance exist naturally beside a destroyed supercar in daylight.

Style & Tone: Absurd realism. Editorial, surreal, controlled, emotionally detached. Calm, composed luxury against quiet destruction. Fashion over chaos, stillness versus impact.

Scene: Daytime in the Red Square, Russia. natural daylight conditions, no artificial flash. Two wrecked black luxury Ferrari sports cars with extreme heavily damaged front end, exposed mechanical parts, located diagonally on the Red square as if moments after an accident. Quiet aftermath — no emergency presence, no crowd, no smoke, no flashing lights.

Subject: The model, a beautiful Japanese woman with very long straight hair and black mini skirt and black fitting top, standing or leaning casually near the damaged cars in a relaxed posture, sipping champagne from a crystal glass with effortless confidence. Expression is emotionless, composed, editorial calm. Fashion-forward luxury editorial styling — outfit contrasts sharply with the destruction behind.

Composition: Medium-wide editorial frame. Model and champagne glass in foreground, wrecked luxury cars in mid-background, Red square monuments in the background. Moderate depth of field — subject sharp, background softly separated but readable. Eye-level or slightly low-angle camera for power and dominance.

Lighting: Natural daylight only. Soft diffused daylight, overcast or gentle sun. No paparazzi flash, no hard studio lighting, no dramatic artificial highlights.

Color & Grading: Muted neutrals. Faded cinematic look. Slightly lowered contrast, soft desaturated tones. Visible fine film grain across entire image.

Camera: ARRI Alexa 35, 50mm prime lens, f/2.8, ISO 400, 1/250 shutter. High-end fashion editorial photography look.

Realism: Ultra-realistic skin texture with visible pores and natural imperfections. Accurate reflections on car paint, glass, jewelry. Natural fabric drape, realistic liquid behavior in glass.

Avoid: No flash photography, no paparazzi lighting, no cinematic glow, no over-sharpening, no plastic skin, no beauty retouching, no CGI look, no surreal distortions, no warped anatomy, no duplicate limbs, no exaggerated expressions, no crowds, no emergency vehicles, no fire or smoke.

Animation Prompt :

Camera orbits right and performs a slow dolly in: a young Asian woman stands in the deserted, empty Red Square in Moscow, with no one else in sight. She is sipping champagne from a delicate glass with a look of total apathy. In the background, another wrecked luxury sedan sits on the wet, dark cobblestones, with the iconic colorful domes of Saint Basil's Cathedral rising through the grey, overcast mist. The lighting is diffused and flat, emphasizing the gritty realism of the accident against the absurd luxury of the moment. The visual style draws from the raw, intimate documentation of Nan Goldin and the highly stylized, cinematic narratives of Alex Prager. The scene is captured with a Nikon Z9 and a Nikon Z 24-70mm f/2.8 S lens, shot at ISO 200, f/2.8, and 1/250s to ensure every detail of the shattered glass and wet pavement is rendered with hyper-clarity.

Apache Appetites & Off-Roading

NOTE : For this specific image I couldn't get the right result with Midjourney. The prompt was too complex for Midjourney so I had to tweak the Midjourney image myself before animation.

Image Prompt :

Dusk absurd-realism editorial photograph. Luxury leisure against military hardware — impossibly casual, surreal but grounded.

Scene: A wide open beach at dusk, warm golden-hour light fading into deep amber and soft purple sky. No greenery, no palm trees, no vegetation — just endless sand meeting the ocean and sky. Behind the subject, a Boeing AH-64E Apache Guardian attack helicopter is lifting off from the sand, nose slightly tilted forward, landing gear just leaving the ground. The rotor wash kicks up a massive cloud of sand and dust billowing outward behind it — dramatic but not obscuring the subject. The Apache is fully armed: Hellfire missiles loaded on both stub-wing pylons, a full rocket pod on each side, the M230 chain gun under the chin turret angled slightly down. Olive drab and desert tan camouflage paint, visible panel rivets, sensor dome on the nose, Target Acquisition Designation Sight clearly visible above the cockpit. Canopy glass reflects the amber dusk light. No crew on the ground, no military personnel — just a war machine casually departing a beach.

Subject & Wardrobe: A beautiful Korean woman caught mid-ride on a black motocross dirt bike, tearing across the wet sand — close-up action shot framed from the waist up or mid-thigh up, we are riding alongside her, in the action with her. Sand spraying from the rear wheel visible at the bottom of frame. She is positioned clearly in front of the helicopter's dust cloud, well-lit by the low dusk sun from the side, maintaining full visibility and separation from the background chaos. She wears a black and white two-piece swimwear set — a black triangle top with white trim and a matching black bottom — layered with a long cream-white open-front crochet cover-up billowing behind her in the wind. Gold hoop earrings, a delicate gold pendant necklace. On her head she wears a cute oversized cat-fox ear headband — plush pointed ears standing upright, Japanese cosplay-kawaii style, playful and absurd against the military backdrop. Her long dark hair flows freely, streaming behind her in the wind. Her face is clearly visible and prominent in the frame — composed, editorial calm, eyes focused ahead. Dynamic riding posture, hands gripping the handlebars, body leaning into motion. We can see details on her skin, the wind pulling at her clothes, the tension in her grip.

Environment & Atmosphere: Dusk light, warm amber sun low on the horizon. Wet sand reflecting the sky in the lower frame. The Apache's rotor wash creates a towering dust cloud behind the subject — sand and fine particles caught in the golden light, almost sculptural. The helicopter is mid-takeoff, partially framed within its own dust storm but still fully recognizable in silhouette and detail, looming large behind her. No vegetation, no structures — bare minimalist coastline. The absurdity is quiet: a cosplay-wearing woman on a dirt bike completely unbothered by a fully armed attack helicopter departing behind her.

Realism & Texture: Natural skin texture with no retouching — visible pores, fine hair on arms, natural warmth and sheen from the golden light. Crochet fabric shows individual knit detail caught in motion. Cat-fox ear headband shows plush fabric texture, realistic stitching and structure. Motocross bike handlebars and upper frame visible in close detail — rubber grips, cable lines, scratched metal. Apache helicopter shows extreme surface detail — riveted armor panels, exhaust heat distortion, rotor blade motion blur, weapon systems with accurate mounting hardware, dust interaction on the undercarriage and landing gear. Sand particles suspended in the air between subject and helicopter catch backlight.

Camera & Grading: Hyper-real dusk editorial photograph. Tight medium close-up framing — camera feels like it's riding alongside her at speed, immersed in the moment. Natural ambient golden-hour light, warm and directional from the low sun, illuminating the subject from the side to maintain clear separation from the dusty background. Shallow to moderate depth of field — subject razor sharp with fine skin and fabric detail, Apache and dust cloud slightly softer but fully detailed and readable behind her. Warm amber and deep blue dusk palette with military olive-tan from the helicopter. Visible film grain, gentle highlight roll-off, slightly lifted shadows. Eye-level or slightly low-angle for power and immersion. Documentary-style realism with editorial fashion composition. The viewer feels the speed, the wind, the sand — not watching from afar but right there in it.

Avoid: No face distortion, no extra fingers, no warped hands, no melted anatomy, no plastic skin, no airbrushed skin, no CGI look, no painterly style, no cartoon effect, no surreal scaling errors, no duplicated subjects, no text, no watermark, no logos, no greenery, no vegetation, no palm trees, no helmet, no subject obscured by dust — she must remain fully visible and well-lit in the foreground, no distant wide shot — we are close and in the action.

Animation Prompt:

A cinematic tracking shot moving alongside a woman with fox ears and a flowing white lace cover-up as she rides a black dirt bike across a sandy beach at golden hour. Hovering mere feet above her is a massive, olive-drab attack helicopter; its main rotor blades spin with realistic, rhythmic motion blur while the tail rotor counter-rotates in perfect concert. A towering, hyper-detailed wall of sand and dust kicks up behind the motorcycle in slow motion, catching the warm, orange glow of the setting sun. The camera executes a gentle 1/4 circle lead, keeping the subject and the aircraft perfectly framed against the hazy horizon. Inspired by the vivid, surrealist pop-culture critiques of David LaChapelle and the high-action realism of James Nachtwey. Captured with a Sony A1 II and a Sony FE 24-70mm f/2.8 GM II lens, using ISO 400, f/8, and 1/2000s (then slowed in post) to freeze the fine textures of the flying sand while maintaining deep focus on both the rider and the helicopter.

Serpent Suede & Shorelines

Image Prompt :

Daytime absurd-realism editorial photograph. An accidental luxury editorial capture — surreal but believable, calm but impossible.

Scene: Our model, a splendid Swedish young woman with mid-long beautiful blond hair, stands near a white Porsche Cayenne GTS parked in on a beach with the ocean in the background. The rear door of the Porsche is open, revealing four huge black royal cobras calmly standing inside the trunk area, resting on light fabric. The scale is realistic — the cobras are large, heavy, and physically believable, not stylized.

Critical: The snakes act naturally, with some intertwining with others. 

Subject & Wardrobe: The model wears a dark grey nubuck mini short and a leather top with sculpted structure, matching high-waisted leather bottoms, sharp pointed high-heel boots with visible zippers, metallic silver accessories, including earrings and a structured silver handbag, and dark fashion sunglasses. She stands close to the vehicle, body relaxed and composed, posture casual and unbothered. Expression is neutral, editorial, and detached — no reaction to the cobras. The moment feels normal to her, despite the absurdity.

Environment & Atmosphere: Sunlit but muted: pale sand ground, soft shadows, slightly overcast daylight feel. The Porsche paint reflects dull highlights, dust visible on tires and body panels. Heat haze is subtle in the distance. No dramatic action — everything feels paused and calm.

Realism & Texture: Foreground emphasis on texture and realism: leather grain, dust on boots, metallic reflections on accessories. The cobras' scales shows high level of detail. Realistic skin texture with no beauty retouch, fabric weave clearly visible, dust and surface imperfections preserved. Background remains simple and uncluttered to preserve a bold silhouette and clear hierarchy.

Camera & Grading: Hyper-real daytime editorial photograph. Natural ambient daylight only, no flash, soft directional sunlight. Faded color palette, slightly lifted blacks, muted highlights. Visible film grain, gentle haze, low contrast roll-off. Subtle vignette, imperfect framing, documentary-style realism. No cinematic lighting.

Avoid: No face distortion, no extra fingers, no warped hands, no melted anatomy, no deformed eyes, no plastic skin, no airbrushed skin, no CGI look, no painterly style, no cartoon effect, no surreal scaling errors, no duplicated subjects, no text, no watermark, no logos.

Animation Prompt :

A cinematic static medium shot of a blonde woman with wind-swept hair and sunglasses, standing next to a white SUV on a foggy, desolate beach. The trunk of the vehicle is open, revealing three large black cobras rising from a pile of beige fabric, their hoods flared in a striking yet frozen posture. The camera executes a very slow, smooth 1/4 orbital circle, keeping a sharp focus on the snakes and the woman's leather corset. The background shows the dull, flat grey of the ocean waves under a heavy mist, creating a whimsical yet threatening fantasy world. The style is influenced by the enchanting, dreamlike fashion photography of Tim Walker and the technical precision of Andreas Gursky. The scene is captured with a Fujifilm GFX100S II and a Fujinon GF 45mm f/2.8 R WR lens, shot at ISO 200, f/4, and 1/250s to capture the intricate scales of the cobras and the grain of the sand with hyper-clarity.

Still Images Gallery